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![Font Font](http://www.identifont.com/samples2/nicksfonts/SchelterGrotesk.gif)
Thousands of designers (famous or not) use the image font detection system to find a font or similar free fonts from an image. Although we have the largest database of fonts, the search for a font from an image gets mixed results like the image above. Akzidenz Grotesk. Akzidenz-Grotesk is a realist sans-serif typeface originally released by the H. Berthold AG type foundry in 1896 under the title Akzidenz-Grotesk. It was the first sans serif typeface to be widely used and influenced many later neo-grotesque typefaces.
Helvetica is not really a bad typeface. However, I can think of four reasons why you could argue Helvetica is (contextually) bad: • If Arial is a rip-off, then so is Helvetica. • It’s not consistent in style; it pretends to be modern but is not completely. • It’s not at all legible. • It’s badly hinted.
Rip-off I don’t really want to make the argument that Helvetica is a rip-off. The notion of a rip-off is ultimately not very applicable in typography, where many typefaces are based on each other, historical typefaces are digitized by various foundries, and typefaces are made metrically compatible (which used to be in order to save time on older printing technology, as was the case with Arial). However, for those who consider Arial to be a rip-off of Helvetica, you should then consider Helvetica to be a rip-off of Akzidenz-Grotesk. Have a look at the typefaces below.
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They are:,,,. As you can see, all four of these typefaces are reasonably similar, and there are in fact many more typefaces that resemble these typefaces. But while Arial was designed to be metrically compatible with Helvetica, Helvetica was designed after Akzidenz-Grotesk (to the point of tracing letters from Akzidenz-Grotesk) in order to take over its popularity—which it obviously did. While Akzidenz-Grotesk is warm, Helvetica has been streamlined with horizontal and vertical rather than diagonal terminal cuts. The remarkable thing is that while Helvetica was released in 1957, Akzidenz-Grotesk was released in 1896! That’s 61 years earlier. And yet, could you even tell?
Univers was released in the same year as Helvetica, and features an ‘a’ that closer resembles the one of Akzidenz-Grotesk. Arial, released in 1982, features diagonal terminal cuts as is the case with Akzidenz-Grotesk, and a diagonal apex of ‘t’ which resembles Univers’. So rather than Arial being a rip-off of Helvetica, it was inspired by several typefaces, in the same way Helvetica was. Rip-off or not, I don’t think this has any bearing on whether Helvetica is bad. However, Arial is often considered to be in bad taste due to the context and motivation in which it was made. If that is how you feel, then by the same token you should consider the creation of Helvetica to be in bad taste, too.
Style What has always bothered me is how Helvetica is presented as a modern typeface, whereas it retains some distinctly antique qualities. For one, as revolutionary as Helvetica might have seemed, let’s not forget that it’s based on late 19th century typefaces. But yes, Helvetica is modernist, as it embraces minimalism and neutrality, which is invoked by the straight terminal cuts. However, the letter ‘a’ is distinctly different. Rather than sharp corners as can be seen everywhere else in the typeface, it has this teardrop bowl that curves into the stem. Not only that, but it features a serif-like spur (the foot on the lower right); a feature that is seen nowhere else in the typeface except for the leg of ‘R’.
In the image above you can see. Schulbuch features an ‘a’ that is much more in line with the spirit of the typeface; in terms of style and texture it’s a lot more consistent. Legibility And here is the best reason for why Helvetica could be said to be bad, which is that it’s very low in legibility. Legibility is the differentiation between letters, which you can read about more in. As you can see in the image below (provided by Erik Spiekermann), at small sizes some of the letter combinations of Helvetica become disastrous both in terms of legibility and readability.
Apc-amc2-4wcf installation full version software. Clearly, Helvetica is not a great typeface for body text. In fact, with its closed aperture (closed letter forms), it’s quite a horrendous choice for body text. Even Arial performs better both in terms of legibility and readability (due to a greater differentiation between letters, and slightly more open letter forms), but there are many better sans-serif typefaces to choose from for body text. Helvetica is fine when used for headings and logos, but if you consider using it for body text—in print or on the web—do reconsider your choice. Hinting Typefaces on the web ought to be properly hinted, which means that rules are assigned to the typeface in terms of where each pixel is located, which depends on the size of the text and the resolution of your screen. As it happens, Helvetica is lacking proper hinting.